Posts Tagged ‘austin’

wander about wonder by Skip Hunt ::: Aamora Triptych Solo

wander about wonder

by Skip Hunt

Triptych Solo in Photography:
Skip Hunt with Wander About Wonder

Note: Triptych example = 550 pixels width x 550 pixels tall

Aamora contributing member Skip Hunt created this triptych while testing out the Strip Designer ap for iPad.  Aamora loves experimentation!

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Austin, TX based member Skip Hunt is a wandering soul attempting to break the chains & surf free atop wavelengths within the visible spectrum. View his website, travel blog, tumblr, or aamora.com.

Project Triptych
View the series

 

voyeur 10:15:11 by Skip Hunt ::: Aamora Triptych Solo

voyeur 10:15:11

by Skip Hunt

Triptych Solo in Photography:
Skip Hunt with voyeur 10:15:11
The first in a series from Skip:3 images from public surveillance cameras.

Note: Triptych example = 550 pixels width x 550 pixels tall

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Austin, TX based member Skip Hunt is a wandering soul attempting to break the chains & surf free atop wavelengths within the visible spectrum. View his website, travel blog, tumblr, or aamora.com.

Project Triptych
View the series

 

Come One, Come All to the Aamora Carnival: Open Submission Call

Welcome to our first installment of

The Aamora Carnival Project

Word’s spreading and we’re no longer going to be able to keep our project under wraps. Yes, planning is in the works for an Aamora Carnival. Some of you following along on facebook have seen a glimpse of what’s in the mix for this international carnival of all carnivals.

{Guy Like Me by Jolie Buchanan}

Is this thing for real?  Is there really going to be an Aamora Carnival? Just where can a guy like me sign up? (see below) …

{Bond Street Clown by Jim Ford}

There can’t be a carnival without canned clown …

{Masks Too by Catharine Amato}

We’ll need masks too, only 10 euro in Venice …

{Costume by Sonia Adams Murray}

We’ll need costumes …

{Carnival Food by Aaron Schwartz}

and food vendors, lotsa food vendors …

{Carnival Flower Baskets by Peter Voigt}

We’ll bring in some flowers for the carnival …

{Ferris Wheel by Gail Anderson}

and we’ll need fun rides; everyone loves the ferris wheel …

{Sweet Ride by Skip Hunt}

and various carnival trinkets and knick-knacks …

{Carnival Religion by Danielle Kelly}

{Big Balls by John Linton}

Stay tuned for our next installment …

Aamora welcomes guest submissions for the ongoing Carnival Project in the form of photographs, videos, artworks and/or writings. All submissions will be taken into consideration for publishing.

For submissions: Forward inquiries to aamora.com@gmail.com
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Aamora contributors to Carnival installment #1: Jim Ford, Jolie BuchananJohn LintonDanielle KellyAaron SchwartzPeter VoigtGail AndersonCatharine AmatoSkip HuntSonia Adam Murray

Aamora Project Carnival – 1
View the ongoing series

From Mexico by Skip Hunt

In Mexico again and travel-blogging here; and Phogging via iPhone here.

{From Mexico by Skip Hunt}

Travel blog post made from Mexico City hereDoing pretty much everything via iPhone on this trip although I am also carrying an LX3 compact.

{Mexico by Skip Hunt}


Just published a fresh journal entry & abstract from Coatepec, Mexico here.

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Austin, TX based member Skip Hunt is a wandering soul attempting to break the chains & surf free atop wavelengths within the visible spectrum. View his website, travel blog, tumblr, or aamora.com.

Using the iPhone-Influence Creative Choice by Aamora Member Skip Hunt

Using the iPhone

Can Influence Creative Choice

by Skip Hunt

Years ago I made the point that it doesn’t matter which camera you use; what mattered most is vision.

In an attempt to prove this, I did a small collection of images with my old Motorola cell phone. The results made the point I wanted, but the lower resolution became restrictive.

When the iPhone came out, I couldn’t wait to take it for a spin. After loading apps, I took it along to make images to illustrate a motorcycle trip through the Southwest toward California from Texas. It was the 3rd generation iPhone 3G. I took it for an easy way to upload images live from the road.

For back up, I took a high-end compact, a Panasonic LX-3 and a Nikon dSLR D300 for book images I was to publish at the end of the trip. (Now available on Amazon).

{Calypso}

What I noticed was many of the images I was getting were quite acceptable beyond web use, but not quite there yet. Not long after that trip, I upgraded to the iPhone 4 and hopped a bus for Mexico to travel blog and see what I could come up with over a month’s time. I also took a high-end compact camera for those images that needed a bit more resolution and flexibility, but it was on this trip that I started noticing a difference in the images I made with the iPhone as opposed to a conventional camera. I’m not referring to obvious differences in resolution, but instead the creative aesthetic choices I was making. Not that they were better or worse, just different.

Fast forward to Summer 2011, I decided to fly to the furthest point in Mexico without any particular plan at all. Zig-zagging from coast to coast, through the jungles, mountains, beaches, cities and deserts until I wandered my way back up to Texas two months later. I travel blogged the experience using only the iPhone for audio, video, text and edited photos here.

{Cowboy Chicken}

By this time, I now had plenty of apps and knew how to use them.  It’s still better than lugging a laptop along, but there are times when I still crave a bigger screen. Next time and iPad may come along with me as well. Again, I took a high-end compact along, the Olympus XZ-1 this time for back up and for those situations that needed a little more photographic muscle.

Again, I was noticing a remarkable difference between the aesthetic psychology of shooting a conventional camera to using an iPhone full of apps. It wasn’t so much about the convenience of it either, i.e. being able to keep the iPhone in my pocket and available at all times because high-end compacts are small enough now to conveniently keep with you in a large pocket as well. No, there was something different that effected my approach between the two.

My photographic experience goes back more than 30 years to pre-digital days when you didn’t think about digital post production when you make an image. Many of my original habits are still there, like thinking of whether or not the image I was about to make was worth the cost of film, processing and printing. If not, then I wouldn’t press the shutter button. I’ve still got that habit even though it costs nothing to make a digital image.

What I began to figure out was that when I shoot with a conventional camera, I’m thinking strictly of the composition of light, shadow, color, texture, and how the subject matter moves me. I don’t think about what I can do with it later, but strictly capturing what ever it is that caused me to stop and study a particular scene or objects within a scene.

{The Land of Milk and Honey}

When I use the iPhone to make images, I consider all of those things as well, but because the camera is very limited in function I’m also thinking of what app I’m going to process this image with. I’m no longer strictly thinking of how this image will convey how I’m motivated by a scene, but whether that scene can also serve as good source material or digital clay to be molded into something else via software applications.

The images made from this trip with the conventional camera have just been published and available for sale in a beautiful new photo book at MagCloud. Click the link below to preview or order.

Aamora chose Feb 2012 to spread iPhoneography ❤

click & view the series

if you see something you enjoy, feel free to leave a message below for the artist; remember, you can also click on any of the photos on aamora to view it separately or leave a comment directly under the photo

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Austin, TX based member Skip Hunt is a wandering soul attempting to break the chains & surf free atop wavelengths within the visible spectrum. View his website, travel blog, tumblr, or aamora.com.

Our Best of 2010

It’s been another great year at aamora.com and to celebrate we asked our members to send us their best of 2010. I think you’ll agree they are a talented group of artists.

MAY YOU ALL HAVE A PROSPEROUS 2011!

{Crossing Guard by Diane Peterson Quito, Ecuador}

{Chaos Theory by Jim Robertson; Columbus, Ohio}

{Cocise Head by Skip Hunt Chiricahua Mountains National Monument, AZ}

{Hwy 395 by Alexis Gerard near Grant, California}

{Marie Wilson on Centre Island, Toronto, Canada}

{Heaven's Gate by Jim Ford Lake Ontario, New York Shore}

{A Mix of Sun & Light Rain" by John Linton I-99 into State College, PA}

{Untitled by Aaron Schwartz Toronto, Canada}

{Josie by the Marine Pool by Catharine Amato photographed in Clevedon}

{Reflections by Ronnie Ginnever Greenwich Village, NYC}

{this riff, m'lady, I wail it for thee by Kreddible Trout Venice Beach CA}

{Encased In A Dream by Danielle Kelly Fultonham, NY}

{The Rain Takes a Break by Michael Van der Tol Qualicum Beach, Vancouver Island}

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Congratulations Out To Skip Hunt

Skip Hunt thebirds 550

One of the images he has on aamora.com is the one to the left, titled “The Birds” . This photograph will be hanging in the Smithsonian from July this Summer until Feb 2011!  Congratulations, Skip! Click here to find out more.

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Skip recently pointed out to us that  “there’s been an uptick in upscale bars using the plasmas & lcd screens to display curated local artists. One such venue contacted me for a slide show for this purpose and I put this together for them:

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Skip also sent us the video below. He tells us he made it “just for fun… shot with a little flip-style Kodak video cam at 60fps to make a smooth slo-mo of this girl hula-hooping… mixed it with some ambient drum circle audio from the same event/party.”:

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We’re always pleased when Skip returns to aamora. This time it’s as our newest member!  His photography is remarkable for its beautifully vivid color, incisive composition and varied locales, including Mexico, Guatemala and South Africa. You will be well rewarded by checking out more of Skip’s work at skiphunt:visualartist .

New Book ‘Go West’ by Aamora Member Skip Hunt

Just Published ‘Go West’:

by Aamora Member Skip Hunt

hemlocklowres

. . . And away we go!

awakelowres

This is not a “trip journal” theme with the usual travel details, but instead a collection of my favorite images & thoughts along the way. 

dinodinosaurlowres

Instead of functioning as a tour guide, my intent is to take you right along with me, nestled inside my head, reading thoughts and seeing what I see.

climaxlowres

I set out on this trip from Austin, Texas going more or less westerly with the idea there would be no rules. If I found the first place I arrived to be calling me to stay awhile, then so be it.

beholdlowres

If the road called me further, then I’d be free to ramble.

stoplowres

Please enjoy, and welcome aboard! ~ SKIP HUNT © 2010

(Skip has agreed to share some of this new book of his with us here at aamora. Skip’s book can be purchased here (U.S.) or here (U.K.).

The excerpt above is from the opening pages of the book, and the photos below are some of what you’ll see as you travel along with him.

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We’re always pleased when aamora member Skip Hunt checks in with us from one of his travels. His photography is remarkable for its beautifully vivid color, incisive composition and varied locales, including Mexico, Guatemala and South Africa. And now he has published a book on his motorcycle travels through the South West U.S. It’s beautifully done, and would make a great gift.

The Kindle Edition of the book is available here (U.S.) or here (U.K.). The book will be available in print as well on Amazon soon – watch for it.

SKIPHUNTPHOTOGRAPHY.COM

SKIPHUNTGOWEST.WEEBLY.COM

KALEIDOSCOPEOFCOLOR.COM

Seven Days: San Cristobal de Las Casas, Mexico by Skip Hunt [part 2]

Seven Days:

San Cristobal de Las Casas, Mexico

by Skip Hunt [part 2]

(continued from [Part One]

{Kremlin}

. . . His eyes got big when he saw my camera and then he started yelling at me. Photos were prohibited!

I took photos of candles. He looked extremely worried. I gathered it was going to be his neck for leaving his post. He forced me into the churches main chamber; a large group of French tourists & indians were praying on a floor covered with pine needles & candles.

Two rough looking Chamula elders grabbed my arms; they escorted me through the church & out the front to a gatekeeper with a police radio. They screamed at me, demanding to see my camera. I showed them the candle photos; they commanded I delete them.

{Elpotrero}

Looking really worried, angry and upset, one with a cowboy hat & radio had a look like he’d caught a good sized fish. He called the police; they answered back that they were on their way.

{Ruina}

They demanded my passport. The cowboy hat demanded money; I told him no. I told him I didn’t take photos inside the church and that I just took photos of some candles by the bathrooms and that I’ve now deleted them.

He grabbed for my camera. I yanked it back. I’d done nothing wrong. If they didn’t want photos taken by the bathrooms they should put up a sign. He pointed to the sign above the church, I again explained I didn’t go inside the main part of the church.

My heart was racing a million beats a second. I was glad the police were on the way. Hopefully I could find one who spoke English and explain that I knew & respected their rules.

The cowboy hat said I needed to pay for going inside the main part of the church. They dragged me through the church against my will. I had no intention of going in. He was now saying I took photos inside the main part of the church and changing the story.

I began to wake up and realize there was no way in hell the police were going to take the side of a filthy American gringo; as soon as they got there it’d be all over.

At best I would get out with only being held and some money extorted… perhaps even lose my camera. At worst… well, I didn’t want to think about that. I started walking. They yelled for me to stop. I told them great and have them come and get me.

{Orange Crush}

Soon I was around a corner and had dodged into a shack. It looked like they sold tequila but no one was in there. I took out my ball cap, put on my sunglasses, and put on my over-sized rain coat and went back out onto the street. The collectivos were by the main plaza.

I noticed one full collectivo heading out and flagged it down. They squeezed me into the front by the driver to collect just one more fare and we were off.

Whew! That was a close one!

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Austin, TX based member Skip Hunt is a wandering soul attempting to break the chains & surf free atop wavelengths within the visible spectrum. View his website, travel blog, tumblr, or aamora.com.

These Boots – an aamora project

Michael Van der Tol has created another slide show for us, with contributions from aamora members and guests. Slip off your boots and enjoy….

These Boots – aamora from Michael Van der Tol on Vimeo.

 

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Michael Van der Tol, founding aamora member, lives in Qualicum Beach, British Columbia. His photographic work focuses on rural & landscapes. View more of his work on his website on his blog or here on aamora.

Founder of aamora, Aaron Schwartz, is a photographer, actor, lawyer, writer, and flaneur based in Toronto. You can view more of Aaron’s work at his website, on JPG Magazine, or on aamora.

Aamora member Rhio9 is a photographer & musician. Enjoy more of his wonderful work by checking out his photo blog, his photographic books on Blurb, or take a look at his past contributions here on aamora.

Vancouver born Marie Wilson, was one of the first aamora.com members. Marie is a writer, photographer, artist, actor, mother & muse living in Toronto. View her work on her website, on JPG Magazine or on aamora.

John Linton is aamora’s floundering member living in Rhode Island and Providence Plantations, the state with the biggest name and smallest size. View more of John’s work on his Flickr stream, JPG Magazine or aamora.

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