Archive for the ‘Alexis Gerard’ Category

Dali – by Alexis Gerard

Aamora member Alexis Gerard, in his recent world travels, visited the Dali museum in Figueires, Catalonia, Spain. He shares these images with us:

Dali Museum 1 550

Dali Museum 2 550

Dali Museum 3 550

Dali Museum 4 550

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Alexis Gerard is a member of aamora.com. Alexis has been a passionate photographer since his twenties. He worked at Apple in the pioneering days of the Macintosh launch, then founded imaging think-tank Future Image in 1991. He founded and now chairs the 6Sight® Future of Imaging executive conference. He co-authored the book “Going Visual”, speaks widely on imaging technology, and is a member of the International Advisory Council of the George Eastman House. As a result of his business activities he had the opportunity to begin shooting digital in the early nineties and does so exclusively now. He prefers small cameras he can have with him at all times. Check out Alexis’ other posts on aamora here and see his other work by clicking here.

Eastern Sierra Landscapes by Alexis Gerard

From February 25 to March 8 I had the good fortune of taking a road trip through some of the most photogenic parts of California.

Having been born and raised in Europe, the idea of road trips has always fascinated me as a uniquely American phenomenon, and a powerful way for foreign-born people like me to connect to the land and the culture with the help of their camera. That tradition dates back, of course, at least as far back as my compatriot Robert Frank whose “The Americans” is probably the iconic body of photographic work from an American road trip. The superb images of British-born Simon Kossoff taken during his own road trips through the American heartland, prodded me further to just do it.

The destination I selected was the Alabama Hills, near the town of Lone Pine Ca. The least I can say is that it lived up to its promise, as did the roads leading there, in particular Ca route 178 and Highway 395, along which these images were made.


Alabama Hils, Ca -2 550

Alabama Hills, Ca. – 2


Cottonwoods Near Canebrake, Ca 550

Cottonwoods near Canebrake, Ca.


Alabama Hills, Ca 550

Alabama Hills, Ca.


Lake Diaz, Ca 550

Lake Diaz, Ca.


Route 178 Near Ridgecrest, Ca 550

Route 178 near Ridgecrest, Ca.


Hwy 395 Near Grant, Ca 550

Hwy 395 near Grant, Ca.


Near Lone Pine, Ca 550

Near Lone Pine, Ca.


Near Manzanar, Ca 550

Near Manzanar, Ca.

In addition to the landscape images shown here, shot with a Canon 40D and a Sigma 18-200 lens, I kept a visual diary consisting of square format images I took each day, shot on a Panasonic LX 3 and geo-tagged with a Jobo unit. A selection of these images is at Footloose from Santa Barbara to Manzanar to San Jose – A visual diary.

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Alexis Gerard is a member of aamora.com. Alexis has been a passionate photographer since his twenties. He worked at Apple in the pioneering days of the Macintosh launch, then founded imaging think-tank Future Image in 1991. He founded and now chairs the 6Sight® Future of Imaging executive conference. He co-authored the book “Going Visual”, speaks widely on imaging technology, and is a member of the International Advisory Council of the George Eastman House. As a result of his business activities he had the opportunity to begin shooting digital in the early nineties and does so exclusively now. He prefers small cameras he can have with him at all times. Check out Alexis’ other posts on aamora here and see his other work by clicking here.

Dense Landscapes – by Alexis Gerard

2-6-2010 Trees and Hills

2-6-2010 (Trees and Hills)

2-6-2010 Tangle 550(2)

2-6-2010 (Tangle)

These images continue an exploration of spaces very rich in detail, which I began in a photo essay entitled “The Thicket”

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Alexis Gerard is a member of aamora.com. Alexis has been a passionate photographer since his twenties. He worked at Apple in the pioneering days of the Macintosh launch, then founded imaging think-tank Future Image in 1991. He founded and now chairs the 6Sight® Future of Imaging executive conference. He co-authored the book “Going Visual”, speaks widely on imaging technology, and is a member of the International Advisory Council of the George Eastman House. As a result of his business activities he had the opportunity to begin shooting digital in the early nineties and does so exclusively now. He prefers small cameras he can have with him at all times. Check out Alexis’ other posts on aamora here and see his other work by clicking here.

Postcards – by Alexis Gerard

1-21-2010 (Postcard 11 - Fish)1-21-2010 (Postcard 11 – Fish)


1-21-2010 (Postcard 12 - FOOD)1-21-2010 (Postcard 12 – FOOD)

Alexis Gerard is a member of aamora.com. Alexis has been a passionate photographer since his twenties. He worked at Apple in the pioneering days of the Macintosh launch, then founded imaging think-tank Future Image in 1991. He founded and now chairs the 6Sight® Future of Imaging executive conference. He co-authored the book “Going Visual”, speaks widely on imaging technology, and is a member of the International Advisory Council of the George Eastman House. As a result of his business activities he had the opportunity to begin shooting digital in the early nineties and does so exclusively now. He prefers small cameras he can have with him at all times. Check out Alexis’ other posts on aamora here and see his other work by clicking here.

Postcards – by Alexis Gerard

1-14-2010 (Postcard 1) 21-14-2010 (Postcard 1)

1-14-2010 (Postcard 2) 21-14-2010 (Postcard 2)

Alexis Gerard is a member of aamora.com. Alexis has been a passionate photographer since his twenties. He worked at Apple in the pioneering days of the Macintosh launch, then founded imaging think-tank Future Image in 1991. He founded and now chairs the 6Sight® Future of Imaging executive conference. He co-authored the book “Going Visual”, speaks widely on imaging technology, and is a member of the International Advisory Council of the George Eastman House. As a result of his business activities he had the opportunity to begin shooting digital in the early nineties and does so exclusively now. He prefers small cameras he can have with him at all times. Check out Alexis’ other posts on aamora here and see his other work by clicking here.

Best of 2009

Michael Van der Tol, member and co-administrator of aamora, asked our members to contribute their favorite shot of 2009. He created this slide show for you to enjoy. Thanks, Michael, and Happy New Year everyone!

Crystal on Alexis Gerard

This is the second of aamora’s series of columns titled Crystal on You” featuring the advice of our resident celebrity expert, Crystal Lamont:

“Dear Crystal,
Your critique of Michael Van der Tol’s “Stuff in my Basement” photo essay changed my life. I had never before realized how important it is to be discriminating about crap. So many nuances, so many levels, so many choices! There’s a whole world of crap out there! Now I see crap everywhere. Here’s some of it. What do you think?
Yours truly,
Alexis Gerard”

20080725_6434Dear Mr Gerard,

I commend you on your willingness to learn about crap, especially from an expert such as I. Here, I hope, is further help for your levels and nuances and choices.

Sincerely,
Crystal Lamont


11-29-09 (Pink Balloon, 4-53PM)(2)

11-29-09 (Pink Balloon, 4-53PM)

20080906_7015Crystal sez:
The party’s over and nothing says it like a solitary pink balloon befriending some cold street furniture. (Boy, have I been there. In fact, I think I was hanging onto this very pole the other night whilst waiting for the No. 5 to Mimico). But do you really want to shoot apres-soiree pictures? Why not a shot of the life of the party? Just so long as he or she is well dressed and accessorized, I think that would make a more interesting and entertaining photo.

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11-30-09 (Rock, Half Moon Bay Ca)(2)

11-30-09 (Rock, Half Moon Bay Ca)

20080906_6996

Crystal sez:  Rock on, Mr G. Now the question is: rock on what? I mean, grey concrete?! You know, you say you’ve learned a lot about crap but this photo is desperate to prove you wrong. The rock in itself is not bad but you might have done well to place it on something like chartreuse velour or gold lame. Rocks are pretty dull photo material, so you have to jazz ‘em up some. Unless, of course, they are the rocks one wears on one’s fingers and earlobes. “Square-cut or pear-shaped, those rocks won’t lose their shape… diamonds are a girl’s best friend!”  Those stones make great photos (and gifts).

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12-1-09 (Christmas tree, Rockaway Beach Ca)(2)
12-1-09 (Christmas tree, Rockaway Beach Ca)

20080906_6999

Crystal sez:
Here’s a photo that speaks volumes. I’m not sure what it’s saying but it’s volumes. Or maybe it’s forests. Yes, this shot speaks forests. Or the lack of them. Now, I’m no environmentalist (well, I’m into my own environment: from the plastic Elvis in my boudoir to the pink flamingo on my balcony, I like my surroundings completely inorganic) but since I’m singing songs today, here’s one for this shot: “Took all the trees/put ‘em in a tree museum/and they charged the people a dollar and a half just to see em…Paved paradise, put up a parking lot.” (Mr G, my favourite performer’s Tony Bennett and I don’t think he ever recorded this particular tune so I don’t know why I’m quoting it here – For Heaven Sakes, I wasn’t even ALIVE in the 60s when purportedly some backwater Canadian type wrote it!) So…I’m going to give you one kudo for capturing an “issue”, but you have to ask yourself: Do I really want to take boring issue-oriented photos? Or do I want to shoot exciting frivolous escapist shots? I’ve always been for the latter but this photo may be changing my mind.

Crystal Lamont, photographiste, actress, filmmaker, commentator and celebrity, is a distinguished member of aamora. She is a reknowned expert on all things aesthetic.

Alexis Gerard is a member of aamora.com. Alexis has been a passionate photographer since his twenties. He worked at Apple in the pioneering days of the Macintosh launch, then founded imaging think-tank Future Image in 1991. He founded and now chairs the 6Sight® Future of Imaging executive conference. He co-authored the book “Going Visual”, speaks widely on imaging technology, and is a member of the International Advisory Council of the George Eastman House. As a result of his business activities he had the opportunity to begin shooting digital in the early nineties and does so exclusively now. He prefers small cameras he can have with him at all times. Check out Alexis’ other posts on aamora and see his other work by clicking here.

Purgatory – by Alexis Gerard

The Roman Catholic Church defines Purgatory as “a state in which the souls of those who have died in grace must expiate their sins”. In other words these souls are spared the fires of hell, but they are excluded from Paradise. What resonates with me about this notion is not the need for expiation, but rather the concept of a place that is neither here nor there – a place that, in effect, is nowhere. Similarly the spaces in these images are ones that we only occupy in transit, no one stays or truly “inhabits” them. As Llorenç Rosanes puts it, these spaces are “lacking in emotion and memory”. When people are not occupying them for the transitory purposes they’re designed for, they feel as though energy has stopped radiating in and from them, as though time there has slowly ground to a halt and congealed altogether. (These images are part of Alexis’ continuing “Purgatory” series. You can see the previous three by clicking here(1) and here(2) and here(3) .)

11-12-09 (Purgatory -4)

11-12-09 (Purgatory -5)

11-13-09 (Purgatory -6)

Alexis Gerard is a member of aamora.com. Alexis has been a passionate photographer since his twenties. He worked at Apple in the pioneering days of the Macintosh launch, then founded imaging think-tank Future Image in 1991. He founded and now chairs the 6Sight® Future of Imaging executive conference. He co-authored the book “Going Visual”, speaks widely on imaging technology, and is a member of the International Advisory Council of the George Eastman House. As a result of his business activities he had the opportunity to begin shooting digital in the early nineties and does so exclusively now. He prefers small cameras he can have with him at all times.

Check out  Alexis’ other posts on aamora and see his other work by clicking here.

Layering with Light – Alexis Gerard

10-29-09 (Muni Bus Stop, San Francisco Ca)10-29-09 (Muni Bus Stop, San Francisco Ca)

This image is another in my ongoing exploration of layering with light.  Please see my previous post on aamora by clicking here.

“We don’t see beings or objects, we see the light energy they reflect.” Alexis Gerard is a member of aamora.com. Alexis has been a passionate photographer since his twenties. He worked at Apple in the pioneering days of the Macintosh launch, then founded imaging think-tank Future Image in 1991. He founded and now chairs the 6Sight® Future of Imaging executive conference. He co-authored the book “Going Visual”, speaks widely on imaging technology, and is a member of the International Advisory Council of the George Eastman House. As a result of his business activities he had the opportunity to begin shooting digital in the early nineties and does so exclusively now. He prefers small cameras he can have with him at all times.

Check out more of Alexis’ work by clicking here.

Layering with Light – by Alexis Gerard

10-21-09 (Greenhouses) px60010-21-09 (Greenhouses)

10-21-09 (Keep Out) px60010-21-09 (Keep Out)

These images are part of my ongoing exploration of layering with light. They were taken off Highway 92, an area of San Mateo county (California) that becomes the “pumpkin belt” at this time of year.

“We don’t see beings or objects, we see the light energy they reflect.” Alexis Gerard is a member of aamora.com. Alexis has been a passionate photographer since his twenties. He worked at Apple in the pioneering days of the Macintosh launch, then founded imaging think-tank Future Image in 1991. He founded and now chairs the 6Sight® Future of Imaging executive conference. He co-authored the book “Going Visual”, speaks widely on imaging technology, and is a member of the International Advisory Council of the George Eastman House. As a result of his business activities he had the opportunity to begin shooting digital in the early nineties and does so exclusively now. He prefers small cameras he can have with him at all times.

Check out more of Alexis’ work by clicking here.

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